Entries Tagged as 'Culture'

Curso de Chino 汉语: Julio 2010

汉语 Chino

Cursos de Chino en la Universidad Complutense de Madrid

CENTRO SUPERIOR DE IDIOMAS MODERNOS (CSIM)

CURSOS INTENSIVOS DE 60 HORAS
DEL 5 AL 23 de JULIO


MATRÍCULA HASTA EL 25 DE JUNIO

MATRÍCULA: CENTRO SUPERIOR DE IDIOMAS MODERNOS
C/ Donoso Cortés, 63 – pl. baja
Horarios: lunes a viernes: 9.00 a 15.00 h
Para matrícula online consulten: www.ucm.es/info/idiomas
PRECIO: 256 € (alumnos y personal UCM) / 366 €
Consultar la página Web para otros descuentos.

INFORMACIÓN: www.ucm.es/info/idiomas

E-MAIL: csim@rect.ucm.es

TEL.: 91.394.64.41 / 25.21

CURSOS DE VERANO – JULIO 2010
UNIVERSIDAD COMPLUTENSE DE MADRID

NO SE PRECISA SER UNIVERSITARIO

CENTRO SUPERIOR DE IDIOMAS MODERNOS
CURSOS INTENSIVOS DE 60 HORAS
DEL 5 AL 23 de JULIO
De lunes a viernes: mañana (9:30 – 14:00)

NIVEL: INTRODUCCIÓN I
RECONOCIMIENTO CRÉDITOS
DE LIBRE ELECCIÓN DE LA UCM

Haz click aqui para ver el cartel:POSTER CIV CHINO 2010

Faces of Kangding 康定

Khampa man in Kangding 2004

Faces of Kangding 康定 (2004)

In 2004, having just returned to Kangding from Danba, we were lucky enough to stumble upon a one-off festival aimed at celebrating Tibetan Kham culture and promoting tourism in Western-Sichuan. The streets of Kangding were jammed packed with proud-swaggering Khampas, dressed up to the hilt in their finest clothes. One could easily have imagined that the entire population of these once warrior nomads, had rolled into town off the grasslands. And like in the wild-west of old, many had come in on horseback.

Khampa Lady and baby

With so much going on, nobody paid much attention to me as I used up roll after roll of film. Kangding has changed and modernised radically since these photos were taken, so I hope you enjoy them. It was a magic moment.

Great Earrings [Read more →]

Zhaozhou Bridge / 赵州桥 / Shijiazhuang Hebei Province

Zhaozhou Bridge / 赵州桥

The amazing Zhaozhou Bridge in Zhaoxian County, Hebei Province, about an hour from the provincial capital Shijiazhuang, is a stunning reminder of just how sophisticated Chinese engineering techniques were, more than one thousand four hundred years ago. That is the amount of time the Zhaozhou Bridge has stood spanning the Jiaohe River.

The bridge is the work of the engineer Li Chun who had to overcome numerous technical difficulties when designing and building it. First of all, it had to be high enough to avoid damage from frequent flooding, but at the same time it had to be flat enough to allow trade caravans and the imperial army to cross. Li Chun’s answer to this engineering dilemma was a segmental bridge, the world’s first, and [Read more →]

China Film Festival Madrid (El Matadero)

China Film Festival (El Matadero, Madrid,  2 February to 14 March)

Apart from the exhibition, visitors to the Matadero can also take in one or two Chinese films or documentaries a day, in the small projection room to the right of the entrance. From Tuesday to Friday, the sessions are at 17.00 and at 19.30; on Saturdays they are at 12.00 and at 16.00; on Sundays sessions may be at 12.00, 14.00 or 16.00. Programmes are available at the reception desk, or on-line at the Casa Asia web site.

Here is an overview of the films we have managed to see so far:

The Road 芳香之路(2002, directed by Zhang Jiarui) is the moving coming-of-age story of a young girl, Li Chunfen, set against the Cultural Revolution of the 60’s and 70’s.

Li Chunfen is a sweet and naïve young girl works as a ticket seller on a bus driven by Lao Cui, a decent, quiet man and a model worker who has been praised by Chairman Mao himself. Every day, their trusty old bus travels the precarious mountain roads of eastern Yunnan, connecting isolated villages and providing a valuable life line. In the course of these travels, [Read more →]

Hola China in Madrid/Beijing Time/北京时间 (18 December to 21 of March)

Beijing Time 北京时间(18 December to 21 of March)


Beijing Time is the title of an exhibition that is currently being held at the Matadero (Paseo de la Chopera 14), a centre dedicated to contemporary creative arts in Madrid. The exhibition has been organised by Casa Asia.


The title refers to the fact that the whole of the vast territory that makes up China, is run according to whatever time it is in the capital; regardless of the inconvenience this causes in the far-flung border regions. For instance, when it’s 9am in Beijing, it’s only 6 am in Xinjiang. Depending on the political stance you take, Beijing Time can be seen as a symbol of unity, or the government’s attempt to impose this unity.

A second reading of the exhibition’s title refers to the increasingly prominent position of Beijing/China on the world stage, whether in a [Read more →]

HolaChina wishes everybody a happy Year of the Tiger from Madrid.

Chinese New Year in Madrid


Last week, the Chinese community in Madrid celebrated the Chinese New Year, the Year of the Tiger, right in the centre of the city. The parade started in the emblematic Puerta del Sol (where we live), and finished in Plaza de España, passing the Royal Palace on the way.


Each year the parade seems to increase in size, both in the number of participants and spectators. In years gone by, the celebration was limited to the charismatic neighbourhood of Lavapiés, where many Chinese have their wholesale businesses. These days, the narrow, hilly streets of Lavapiés have become too small for the growing celebration.

The parade included all the usual dancing dragons, lions and people dressed in folkloric costumes. Martial arts displays, mostly performed by [Read more →]

Jiǔhuá Shān九华山 From our Diary, September 2001

Jiǔhuá Shān九华山

Studying English

Studying English

For a few magic minutes time stood still. A full moon illuminated the pond where a gaggle of Buddhist nuns were lighting candles and carefully balancing them upon enormous, floating lotus leaves. Overhanging red lanterns left their reflections suspended in the water. Occasionally, a well- fed golden carp broke the silky smooth surface and then, with a swish of its tail and a plop, disappeared into the murky depths again.
This is the China we imagine when we close our eyes. The China we see on ancient scroll paintings, the China that we hope to find, but so seldom do. Was I dreaming? Well, not exactly. This was Jiǔhuá Shān in late September 2001, serene and so peaceful after the mayhem of Huang Shān. We remained transfixed by the moment, for how long? I don’t know. And then, out of the night came the shrill sound of laughter, and in the distance the local guitar- playing and folk-singing busker started up again. The nuns slipped out of sight through the temple gate, a cloud crossed the moon and the light from the candles paled. In short, the spell broke and we found ourselves again in 21st Century China.

History

A bit of history: Jiǔhuá Shān is one of the four sacred mountains for Chinese Buddhists, together with Eméi Shān, Pǔtuó Shān and Wǔtái Shān. Set in a beautiful area of southern Anhui province, Jiǔhuá Shān offers the traveller some rare moments of rural bliss and the chance to witness [Read more →]

Beijing Coma (北京植物人) Mǎ Jiàn (马建) A Book Review

Beijing Coma /北京植物人 Review


This book should come with a health warning: unsuitable for first-time visitors to China, for they may well decide to cancel their trip. Even old-time China-lovers, such as myself, should proceed with caution, as some of the things you’re about to read may put you off going back there forever!

Having suffered through some graphic descriptions of the unspeakable suffering, and the cruelties Chinese people inflicted upon each other during the Cultural Revolution; having shuddered at the inhumane way the death penalty is carried out and gasped at its utterly immoral connection to organ transplants, I found I had to keep repeating the words Dai Wei, the protagonist, says to his girlfriend, Tian Yi, as if they were a kind of mantra: “ ‘They aren’t evil, they’re just products of an evil system.’ ” (p. 504).

Synopsis

Dai Wei is in a coma; unable to move a muscle, though aware of his surroundings and with his memory intact. Through his memories, he relives his life, from his early childhood, when his father returns from a 22-year stint in a series of reform-through-labour camps, to the fatal denouement at Tiananmen Square, during which he is shot in the head.  At regular intervals, Dai Wei’s attempts to return to his past are interrupted by his awareness of present events – the visits of his girlfriend or friends, his mother’s comments – or interspersed with clinical observations on the deterioration of his own body, as he is after all a Biologist.

From his family history, childhood and adolescence, with a traumatic first arrest for ‘immoral behaviour’, we move gradually to his university days, first in Guangzhou and later in Beijing. At university, Dai Wei’s political awareness, a vague feeling of anger and frustration that until then had lain dormant, is shaken when he starts reading his father’s journals from his camp days. Over time, [Read more →]

Big Breasts and Wide Hips丰乳肥臀

Big Breasts and Wide Hips

丰乳肥臀

Author: Pen name: Mo Yan 莫言.  Real name:  Guǎn Móyè 管谟业

(First published in 1996 in Chinese; 2005 in English)

Big Breasts and Wide Hips 丰乳肥臀 is the second novel I’ve read by Mo Yan, the first being The Garlic Ballads天堂蒜薹之歌”. Both novels are set in Mo Yan’s native Shandong Province, in the village of Gaomi, but any similarities end there. The Garlic Ballads is a depiction of corruption in rural China in the early 1980s, a period when the old certainties of communism fade and unbridled market forces are unleashed. Big Breasts and Wide Hips is a long journey through the tumultuous history of 20th century China: it’s a saga of endless wars, revolutions and violent political persecutions; a desperate time when bayoneting Japanese soldiers, marauding Communist and Nationalist troops, famine, starvation, murderous family infighting, corruption and a whole cast of vile characters all play their part in wreaking havoc on Gaomi village.

The heroine is Shanguan Lű. From her birth, [Read more →]

From Our Diary 2006: Hua Shan Rock Paintings / 花山岩画 & 左江风景区

Hua Shan Rock Paintings

Rock Painting Hua Shan

The Zhuang are China’s largest ethnic minority with about 15 million of them living in Guangxi province alone. In fact, the Zhuang are so numerous in Guangxi that the province is officially known as the Guangxi Zhuang Autonomous Region. The provincial capital Nanning, or ‘the Green City’, as it tries to promote itself, is a good place to base yourself for forays into the Zhuang heartlands. Already on ‘holachina.com’ we have articles on three prominent Zhuang areas in Guangxi: Yangmei village, Detian waterfall, and the ‘Dragon’s Backbone’ Rice Terraces or ‘Longji Titian’ at Ping’an.

In appearance, the Zhuang are almost indistinguishable from the Han Chinese, though some Zhuang sub-groups, such as the black Zhuang, continue to wear their distinctive ethnic clothing. The Zhuang do, however, have their own language, which has been transcribed in a curious Romanised script.

Zuo Jiang (Zuo River)

The rock paintings at Hua Shan are not only situated in the Zhuang heartlands, but they also mark the cradle of their civilization, as they are reputed to be at least 2000 years old. Thus, these paintings and other nearby archaeological sites provide evidence that the origins of the Zhuang can be traced back to [Read more →]